Christmas at New York City: a portrait session with Shania Shields

Christmas at New York City: a portrait session with Shania Shields

Day 5, Part Two of photography workshop with Joe McNally in a New York City studio.

I was looking forward to this part of the workshop most of all as this involved photographing a professional dancer in a studio.

Shania Shields is a 2021 graduate of the New York University Tisch School of the Arts and she is a professional dancer, singer and actress who received her BFA studio training in the drama department at Playwrights Horizons, Atlantic Acting School and Stonestreet Studios. @shania.aprill

Shania’s stage experience was greatly appreciated by everyone in our group and it was mostly up to our skills as photographers to work fast enough to capture every graceful pose and elegant move. Anyone who had ever modeled for a photography session would agree that posing is not an easy matter. You are asked to freeze and keep the pose or repeat a movement over and over, maintain precision in your position and perfection in your moves and while doing all that, your face needs to express ease and happiness at all times. Kudos to Shania for being a perfect model.

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Christmas at New York City: a portrait session with Danté Crichlow
Outdoor, Travel, Documentary Karina Outdoor, Travel, Documentary Karina

Christmas at New York City: a portrait session with Danté Crichlow

Day 5, Part One of photography workshop with Joe McNally in a New York City studio.

Danté Crichlow is an actor known for Netflix movies “See You Yesterday” (2019 and 2017)and he studied at the New York University Tisch School of the Arts.

Dante was part of our photography group and he graciously agreed to pose for me. I was following Joe McNally’s advice from his book “Sketching Light” to always watch for dusty windows as they are some of the best light diffusers available in the real world. That Sunday morning we found ourselves on an abandoned and badly dilapidated floor of an industrial building with huge windows that hadn't been washed for at least half-century. The bright midday sun rays were bouncing from the opposite buildings and creating ice-like patterns on the glass surfaces. Just gorgeous.

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Christmas at New York City: Chinatown and Year of the Tiger
Outdoor, Travel, Documentary Karina Outdoor, Travel, Documentary Karina

Christmas at New York City: Chinatown and Year of the Tiger

Day 4, Part Two of photography workshop with Joe McNally in New York City during the Christmas season.

The evening at Chinatown and Little Italy. Both quarters are lively and vibrant and they are divided by just one street. Interestingly enough, the crowds don’t mix at all. On one side of the street you are surrounded by Mandarin sounds and red lanterns and then you cross the street and suddenly, as if by magic, you hear only Italian speech and laughter and you smell pizza and lasagna. Both quarters are insanely vibrant and a feast for the photographer’s eye.

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Christmas at New York City: Times Square in the Fog
Outdoor, Travel, Documentary Karina Outdoor, Travel, Documentary Karina

Christmas at New York City: Times Square in the Fog

Day 4, Part One of photography workshop with Joe McNally in New York City during the Christmas season.

The initial plan was to photograph the Winter Village at Bryant Park. Internally, I was not so sure if I would be able to get anything Christmassy or worth looking at in broad daylight. Luckily, it had been raining all night (yes, there’s no bad weather in photography) and the morning looked foggy and gloomy - a perfect timing to visit Times Square. It was dark enough to make the neon lights stand out and the wet surfaces provided ample opportunities to capture reflections. Even people lining up for a rapid Covid-19 test at a mobile site looked hopeful and enjoying the views.

On my way back to the hotel I wandered to the Lyric theater, the home of Harry Potter and the Cursed Child play. I stopped at a gorgeous Art Deco building to use its windows as a mirror. To my surprise, a kind concierge inside waved to me to come in and he even kindly invited me to visit the upper floor to get more photos of the stunning interior. This completed my happy morning in New York City.

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Christmas at New York City: Grand Central Station and Rockefeller
Outdoor, Travel, Documentary Karina Outdoor, Travel, Documentary Karina

Christmas at New York City: Grand Central Station and Rockefeller

Day 3, Part Two of photography workshop with Joe McNally in New York City during the Christmas season.

We spent the morning wandering around the Grand Central Terminal, alternating long and wide lenses, motion blur and slow shutter speed, camera handheld and on a tripod and different white balance settings. We were even lucky to catch the spectacular display “Into the Northern Lights: An Immersive Experience”. This Canadian interactive installation gave a full experiencing the northern lights in Canada with its floor-to-ceiling mirrors reflecting the northern lights in all directions. They even allowed photography inside, of which we took full advantage, of course.

The rest of the images are from somewhere along Fifth Avenue between the Central Park and Rockefeller Center. The lit balloons were a definite theme this year and the police officers were fiercely guarding the elevated surfaces of the Channel Gardens from public recklessly attempting to climb them for a better view of the holiday installations.

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Christmas at New York City: Holiday Window Displays on Fifth Avenue
Outdoor, Travel, Documentary Karina Outdoor, Travel, Documentary Karina

Christmas at New York City: Holiday Window Displays on Fifth Avenue

Day 3, Part One of photography workshop with Joe McNally in New York City during the Christmas season.

The assignment was to photograph the holiday window displays of the high end brands on Fifth Avenue. By this time I had a better sense of what was expected of each assignment - do something that would make the viewers stop and get a second glance at your work. How could I photograph the work of insanely talented designers and attempt to add something of my own? I went with a long lens and focused on tiny fragments of the installations, thus making the photographs more about portraiture rather than holidays and shopping windows.

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